June 28th, 2016
Episode 1210 of 1302 episodes
David Hockney's new exhibition is 82 Portraits and 1 Still-life at the Royal Academy in London. The artist asked friends to sit for him in Los Angeles over the last two-and-a-half years, each portrait created within the same three-day time frame, in the same chair, with the same background, and every canvas the same size. Critic William Feaver gives his response to the brightly-coloured acrylic works. The exhibition runs from 2nd July until 2nd October. The tenor Gregory Kunde, winner of Best Male Singer at this year's International Opera Awards and about to make his debut at the Royal Opera House in two Verdi operas, on a remarkable change of direction so late in his career. The choreographer Sir Peter Wright reflects on his remarkable career, spanning nearly seven decades, founding the Birmingham Royal Ballet and working along greats like Rudolf Nureyev and Margot Fonteyn. He joins us to look back at ballet stars behaving badly and his new memoir Wrights And Wrongs, published 18th July. With Phil Collins updating three of his early album sleeves by replacing the cover photo of his face then with that of how he looks now, writer Ben Wardle wonders why brand updating - so common in books, DVDs and food packaging, among others - so rarely happens in the music industry. Presenter: John Wilson Producer: Elaine Lester.