October 14th, 2016
Episode 1295 of 1300 episodes
Earl Cameron CBE was one of the first black stars of British cinema, making his big screen debut in 1950 with the crime drama, Pool of London. He's continued acting into his 90s, taking on roles in The Queen and Inception. Now 99, with a restored version of Pool of London about to released, and taking part in Black Star - the BFI's nationwide celebration of black screen stars - he talks to John Wilson about his long career. For his album, Release, music producer David Gledhill (aka SOULS) spent five years searching old field recordings of singers from the American south. He cleaned and edited each recording and built new songs around them. Gledhill discusses the making of the album with John Wilson, and explains how these songs were part of his grieving following the death of his wife. Alphonse Mucha is widely viewed as the Father of Art Nouveau. The Czech painter and illustrator first attracted attention when his beautifully detailed posters of actress superstar Sarah Bernhardt appeared around Paris in 1895. By the time of his death in 1939, his illustrations were considered outmoded, but in the 1970's they became hugely popular again. Jan Patience reviews an exhibition in Glasgow of work by the artist who influenced the city's own master of Art Nouveau, Charles Rennie Mackintosh. Just as Art History 'A' Level is axed the Royal and Derngate Theatre in Northampton announces plans to develop a bid for a free school specialising in the cultural and creative industries. John Wilson talks to CEO Martin Sutherland about their ambitions for the school and their motivations behind the bid. David Gascoyne was born 100 years ago this week. Simon Callow remembers the man he regards as one of the greatest poets of the 20th century. Producer: Julian May David Gascoyne was born 100 years ago this week. Simon Callow remembers the man he regards as one of the greatest poets of the 20th century. Producer: Julian May.