Point of Inquiry

Center for Inquiry

Religion & Spirituality, Science & Medicine, Social Sciences, Society & Culture, Philosophy

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Social Sciences 16
Science & Medicine 79

Point of Inquiry is the Center for Inquiry's flagship podcast, where the brightest minds of our time sound off on all the things you're not supposed to talk about at the dinner table: science, religion, and politics. Guests have included Brian Greene, Susan Jacoby, Richard Dawkins, Ann Druyan, Neil deGrasse Tyson, Eugenie Scott, Adam Savage, Bill Nye, and Francis Collins. Point of Inquiry is produced at the Center for Inquiry in Amherst, N.Y.


George Hrab - Soundtrack to Skepticism

May 14th, 2010

Episode 226 of 570 episodes

George Hrab is a composer, professional musician, singer, songwriter, podcaster, and skeptic. George is the Host and Producer of the Geologic Podcast, a popular weekly show about music, comedy, science, and skepticism. The drummer in the band Philadelphia Funk Authority, he is a successful multi-instrumentalist musician who has performed on-stage with Elton John, and given a performance in the White House for Bill Clinton. For the past fifteen years he has also been a solo artist, releasing his music independently. George’s songs tackle science, the paranormal and pseudoscience, from the Occasional Songs for the Periodic Table in which he sings to each element, to an ode to the coelacanth. George’s latest album Trebuchet includes the songs God is Not Great, Everything Alive will Die Someday, and Death From the Skies, featuring “Bad Astronomer” Dr. Phil Plait. In this episode of Point of Inquiry, Karen Stollznow speaks with George about the “intersection” of music and skepticism, and how music fits into critical thinking. With eclectic influences from Frank Zappa to Carl Sagan, George describes how he infuses skepticism into his own music. A successful activist in the skeptical community, George not only speaks-out against a lack of critical thinking in society, but he also “sings-out” against this issue, promoting skepticism through song. This “nice guy of skepticism” discusses the image of the skeptical movement, and what we can do to popularize skepticism. He explains that he reaches people “through their funny bones and dance shoes” as an effective way to communicate skepticism to the public, and tells us how music and comedy can make converts to critical thinking. George’s music brings a new audience to skepticism, and provides theme songs for skeptics. In many ways, George’s music has become the soundtrack to skepticism.

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